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November, 2008

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Learning by Master Dogen’s example

Aside from the question of what Master Dogen actually meant, it is clear that he personally approached life with great zeal and intensity. Even setting aside the uncertainties concerning his biography, what little is known clearly testifies to the fact that he himself acted in accord with his repeated, energetic exhortations to “master in practice” and “examine sideways and upside down” and “apply yourselves as if your head was on fire” etc.
His own life was an eternal quest; committing to the path at 8 years old, running away at 13 to avoid the barriers of secular life, reading the entire Tripitaka twice by his early 20s, mastering Tendai, the exoteric and esoteric teachings. Not yet satisfied, he set about mastering Rinzai Zen under Myozan, then accompanied him on a journey to China. There, he traveled around and sought wise counsel wherever he could. Then, finding Tendo Nyojo, he intensified his practice and study, realized a profound awakening, then spent a couple more years “entering the room” deepening and refining his realization under the guidance of his teacher.
When he finally returned to Japan, he spent the rest of his life continuously exploring and developing all manner of methods, techniques, and activities to effectively transmit the Buddha-Dharma to his fellow countrymen. To this end he produced hundreds of fascicles which he continuously re-worked, edited, and refined many times, right up to his final illness, and he established Eihei-ji (still regarded as one of the great temples of the world), and he offered instruction to monks, nuns, and secular people from all classes. The energy that Dogen applied in those monumental efforts can still be felt on a visceral level through reading and (trying) to apply his teachings as outlined in some of the most creative expressions in Buddhist history.
Dogen’s life was clearly engaged in actively creating, exploring, and expressing the meaning, function, and experience of the Buddha-Dharma. When we see how vibrantly he speaks of discovering whole worlds in each moment, and in each drop of water, we come to understand his outspoken disdain for the distorted ‘nothing to realize’ and ‘everything is it’ notions of Zen that had taken root in his own time. We are (at least I am) inspired by Dogen’s constant earnestness on the necessity to focus our aspiration and effort that he asserts are essential to genuine practice and enlightenment. His repeated exhortations to “those who have already attained enlightenment” to continue to go ever-deeper attaining enlightenment upon enlightenment, are reinforced by his own example. His constant refrain reminds us that enlightenment without practice is not authentic enlightenment, and practice without enlightenment is not authentic practice.
We don’t need to prove Dogen’s meaning to understand that the necessity of wholehearted effort and focused, dedicated practice is a basic teaching of Buddhism, and a hallmark of Zen. And even those that have not researched much in the Zen records realize that the teachings of “practice and enlightenment” have always been susceptible to misunderstanding and misappropriation. Obvious to even the most casual of readers among Zen students is that some of the most pernicious divisions in the history of Buddhism have been caused by arguments around what this teaching means. The confusion between sudden realization (original enlightenment) and gradual cultivation (acquired enlightenment), has been the most visible and persistent manifestation of this argument in the Zen tradition.
According to his biographers, the apparent contradiction between original enlightenment and acquired enlightenment was the barrier to and eventually the catalyst of Dogen’s own great awakening. Resolving this conflict became the central focus of his spiritual quest. It was through his personal resolution of the seeming contradiction between the doctrine of original enlightenment and the need for spiritual practice that allowed him to—in his own words from Shobogenzo, Bendowa—“complete the task of a lifetime.”After such a powerful experience, it is only natural that the non-dual nature of practice and enlightenment became such a central theme in Dogen’s teaching. By “non-dual” I mean, empty of duality, I do not mean that practice and enlightenment are one, as is propagated by some. Practice and enlightenment in Zen are two aspects of one reality. I think that Dogen is clear on the fact that though they always go together, they each maintain their distinctive aspects.This brings me to, what I think is one of the best passages in Shobogenzo that takes up question raised, “What constitutes practicing Dogen’s Zen?”
The very first paragraph of one of Dogen’s very first teachings, Fukanzazengi, is constructed of four lines—each variations expressing the fundamental point.

“Now, when we research it, the truth originally is all around: why should we rely upon practice and experience? The real vehicle exists naturally: why should we put forth great effort? Furthermore, the whole body far transcends dust and dirt: who could believe in the means of sweeping and polishing? In general, we do not stray from the right state: of what use, then, are the tip-toes of training?”Gudo Nishijima & Mike Cross, Master Dogen’s Shobogenzo, Book 1, p. 279

Coming from Dogen we know this is not a simplistic series of rhetorical statements, but an expression of spiritual realization, urging us to deep contemplation. It seems clear that Dogen is not saying, “the truth is all around: we do not need to rely upon practice, put forth great effort, etc.” Rather, he is saying, “the truth is all around: why do we need to practice, who could believe in the means, of what use, and so on.” His statements are neither rhetorical, nor are they conventional questions wanting answers. Here he not only respond to the question posed, Dogen indicates, at once, the revelation of the truth of Zen and illustrates the appropriate attitude for Zen practitioners to employ.
While his expressions were unique, and may even transcend those of his predecessors, what Dogen actually taught was what all the true buddhas and Zen ancestors taught; enlightenment is the essence of authentic practice, practice is the function of authentic enlightenment. The duality of practice and enlightenment is actualized and transcended, not eradicated or annihilated. It seems obvious in this light, that Dogen frequently used the term zazen in reference to the non-dual nature of practice and enlightenment, not just as a reference to ordinary sitting meditation. In Shobogenzo, Genjokoan, Dogen outlines this fundamental teaching of Zen. Near the end of this essay, he uses a Zen koan to illustrate the non-dual nature of practice and enlightenment.
The koan runs something like this: Zen Master Hotetsu, of Mount Mayu is using a fan. A monk comes up and says, “The nature of air is ever-present, and there is no place it does not reach. Why then does the Master use a fan?”
The master says, “You understand that the nature of air is ever-present, but you do not understand the truth that there is no place it does not reach.”
The monk says, “What is the truth of there being no place it does not reach?”
At this, the master just continues to use the fan.
The monk does prostrations. Dogen goes on to say, “The actualization of the buddha-dharma, the living way of authentic transmission, is like this.”

Peace,
Ted Biringer
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Adi Da dies

Controversial 70s guru Adi Da (aka Bubba Free John etc etc) died on Thanksgiving. My main connection to him is his strong early influence from my erstwhile guru Swami Muktananda. I have a little familiarity with Da from attending programs run by his devotees here in Berkeley; these included some readings from his books, and watching him on video.I've always been intrigued by how Da was accepted
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Beyond Ideas


beyond ideas of
right and wrong,
beyond the essence
or the very edge
of our thinking,
lies the nature
of our very existence.
should we come
with an idea,
we should gently
let it go,
should we come
with an expectation,
we should kindly
yield to this moment.
I came to Zen
full of suffering
and pain,
and through
the gentle guidance
of our master
I have found peace.
it is now time
for each of us
to learn how
to be the gentle giant
of a man he is,
and how to guide
in his shadow
and support
his great legacy
for the generations
to come.
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Dogen’s use of Criticism in Shobogenzo


Throughout the history of the Japanese Soto sect, much has been made of the influence of the Chinese Rinzai master, Daie Soko, on the teachings of Dogen. Traditionally, Dogen has been presented as being profoundly critical of Daie’s Zen teachings, especially his teachings regarding koans. Of course, Shobogenzo is not unique in its negative criticism of Zen ancestors. Scathing, colorful, and often humorous critiques are characteristic of a number of the classic records of Zen.
Claims about Dogen’s negative criticism of Daie have some basis in fact, but its significance has been exaggerated, and the reasoning underlying Dogen’s criticisms have often been skewed. In light of Daie’s importance to the Japanese Rinzai sect, specifically, his teachings regarding koans, some of the reasons for exaggerating and distorting Dogen’s criticism of Daie seem clear; to infer the inferiority, or even the illegitimacy of the Rinzai sect and posit the superiority of the Soto sect.

While an objective reading of Dogen’s treatment of Daie is enough to cast doubt on most sectarian claims, recent scholarship has decisively revealed a number of fallacies regarding many of these claims--and provided a great deal of clarity on the real issues. As others have lucidly presented the history and details concerning this issue *1, there is no need to dwell on it here. Suffice it to say that some of the distortions were probably legitimate attempts for sectarian survival, but many (if not most) were grounded in sectarian competition for spiritual superiority (and its corollary, the power associated with spiritual authority).

The negative criticism in Shobogenzo does offer some interesting possibilities. In Shobogenzo, Dogen is critical of Daie, but not only of Daie, nor is his criticism simply leveled at his use of koans. Other Zen ancestors, including Rinzai, Tokusan, and Ummon, are subjected to criticism just as harsh as any directed at Daie. These Zen masters are rebuked for the same reasons Daie is rebuked; inaccurate expressions of buddha-dharma (J. buppo).

In fact, in Shobogenzo Dogen does not hesitate to challenges even the most revered Zen ancestors including Hyakujo, Setcho, Joshu, and others. Furthermore, Dogen explicitly denigrates Vimalakirti, the hero of the sutra widely venerated in the records of Zen, and even denounces the Platform Sutra of the Sixth Ancestor, Eno (second in Zen reverence only to Bodhidharma), as a fraudulent text. Moreover, some of Dogen’s more creative ‘misreadings’ and ‘interpretations’ of the Buddhist sutras could easily be regarded as tacit (if gentle) criticisms of the Buddha himself.

(In fairness, two characteristics of the negative portrayal of Daie in Shobogenzo should be noted. The first is a lack of any corresponding positive treatment; most of the important masters upbraided in Shobogenzo are nevertheless acknowledged in other sections of it. Although Daie is tacitly acknowledged as a legitimate ancestor (by Dogen’s acceptance of some of Daie’s descendents, including Bussho Tokko), explicit acknowledgement is conspicuously lacking. The second characteristic unique to Dogen’s charge against Daie is his direct assertion that Daie’s (recorded) teachings disqualify him as a Zen ancestor.)

Dogen’s criticism of Zen ancestors can be viewed as justified based on the rationale of Shobogenzo, which consistently asserts the nonduality of realization and expression in the buddha-dharma. That is, in Shobogenzo, realization and expression are interdependent aspects of the authentic buddha-dharma; each contains and is contained by the other. Hence, in Dogen’s view one’s realization of buddha-dharma is evident in one’s expressions of buddha-dharma. In fact, according to Shobogenzo, evaluating the authenticity of a Zen master’s realization "invariably" includes examining their expressions:

All the Buddhas and all the Ancestors express what They have realized. This is why the Buddhas and Ancestors, when singling out an Ancestor of the Buddha, invariably ask, "Can that person express their realization or not?"
Shobogenzo, Dotoku
, Herbert Nearman

While Dogen rebukes, and even hints at the lack of qualifications of Zen ancestors, he stops short of complete denunciation (except of Daiei), and often lavishes praise on them elsewhere in Shobogenzo. For instance, when Rinzai is denigrated as a ‘weak spirited newcomer’ in Shobogenzo, Bukkyō, Dogen does not dismiss his legitimacy. In fact, throughout Shobogenzo Rinzai is quoted as an authority, and in some fascicles of Shobogenzo, like Gyōji, and Hotsu Mujō Shin, Dogen praises Rinzai’s example, singling him out as an outstanding model for Zen practitioners.

One of the most illuminating examples of Dogen’s technique of challenging Zen ancestors based on their recorded sayings is in Shobogenzo, Shin Fukatoku, where he asserts the inaccuracy of five of the ‘giants’ of Zen tradition. In that fascicle Dogen exposes the ‘blindness’ of Joshu, Kyozan, Gensha, Kaie, and Setcho, taking them all to task for their ‘mistaken’ expressions concerning a koan. Significantly, there is no hint of their disqualification as Zen ancestors. To the contrary, Dogen asserts that although "it may be hard to believe" that people who do not understand one aspect of buddha-dharma are able to understand the rest of it, we should "realize that ancient Ancestors may also make mistakes":

In that the five worthy Masters did not at all understand the everyday practice of the National Teacher, they are, to that extent, similarly inaccurate. For this reason I have now let you hear about ‘the mind not being able to grasp It’ in the Way of the Buddhas. Although it may be hard for you to believe that people who are unable to thoroughly understand this one aspect of the Teaching are apt to understand all the rest of the Teaching, you need to realize that ancient Ancestors may also make mistakes and compound them, as in this case.
Shobogenzo, Shin Fukatoku
(Written Version), Herbert Nearman

Dogen’s recognition of the reality of human limitations is indicative of the realism—highlighted in the title of Hee-Jin Kim’s landmark book, Eihei Dogen: Mystical Realist—which permeates his records. Dogen’s realistic acknowledgement that even ancestors "may also make mistakes" seems to be much more than a reluctant admission of human weakness, or fallibility; but more of a realistic assessment of the human condition, hence, of reality itself. In the Shobogenzo, Shizen Biku, fascicle, Dogen assures his listeners/readers that "having mistaken views" is not unique to time or circumstances by asserting it even happened when the Buddha himself was actively teaching:

In truth, even those who had left home life behind and received ordination when the World-honored One was in the world found it difficult to avoid having mistaken views and personal opinions, due to their not giving ear to His Teaching.
Shobogenzo, Shizen Biku
, Herbert Nearman

To deny this characteristic of reality is, in Dogen’s teaching, to be ‘in delusion adding to delusion.’ Knowing the reality of buddha-dharma, on the other hand, is contingent on recognizing the reality of delusion. Herein lies the fundamental difference between ‘ordinary beings’ and ‘Buddhas’, as Dogen says in Shobogenzo, Genjokoan: "Ordinary beings are deluded about enlightenment, Buddhas are enlightened about delusion."

If Dogen is to be regarded as an authentic Zen master, then his teachings must be viewed as having the same goal as any authentic Buddhist master; the alleviation of suffering. Thus, all of Shobogenzo’s expressions, including those challenging Zen ancestors, must be understood as legitimate efforts to transmit the buddha-dharma. In light of this reasoning, it should be clear that Dogen’s criticism in Shobogenzo has more to do with instructing students then with admonishing long dead masters.

In summary, what can Dogen’s use of criticism teach us about applying ourselves to the Zen path of authentic practice-realization? Anything? Everything?

*1. For instance, see:

How Zen Became Zen: The Dispute over Enlightenment and the Formation of Chan Buddhism in Song-Dynasty China (Studies in East Asian Buddhism) by Morten Schlütter.

The Linji Lu and the Creation of Chan Orthodoxy: The Development of Chan's Records of Sayings Literature, by Albert Welter

Dogen and The Koan Tradition, and Did Dogen Go to China? What He Wrote and When He Wrote It, both by Steven Heine.

Dogen's Manuals of Zen Meditation, Carl Bielefeldt.

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All Sounds Are the Sounds of Buddha

Donkey  

A monk said to T'ou-tzu, "'All sounds are the sounds of Buddha' - is that correct or not?"

T'ou-tzu said, "Correct."

The monk said, "Doesn't your asshole make farting sounds?"

T'ou-tzu hit him.

The monk said, "'Course words and gentle phrases all have their source in essential nature' - is that correct or not?"

T'ou-tzu said, "Correct."

The monk said, "Then may I call Your Reverence a donkey?"

T'ou-tzu hit him.

Commentary
Who won and who lost? T'ou-tzu swung at the monk two times, but the poor fellow only got hit once.

I appreciate this nameless monk's willingness to goose his teacher. Nevertheless, Yuan-wu comments that the monk didn't "notice the smell of his own shit."

Source: The Blue Cliff Record, translated by Thomas  Cleary and J.C. Cleary (Case 79)
Photo by Dave Wild

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silver and gold


silver and gold
shimmering silver moon,
sparkling white clouds.
hiding—then illuminating
then highlighting the
glowing silver orb.
what life lives in eclipse
of yellow sun
and silver moon.
one reflects
the other,
but which one gives life?
does the sun give
life to the moon,
or does the moon
reflect life into
the sun?
in this life
only one choice
do we have.
let go—
silver light
reflects from
the golden source.
silver
and
gold
are one
and the same.
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Awareness, Nonthinking, Zazen, the essential art of Zen?

A skier mustering whole body-and-mind, totally absorbed in the activity of skiing down a mountain, forgets his or her "self" and is actualized by the myriad dharmas (the many things). With no ideas of self and not self, there is simply swoosh, swoosh, chunk, swoosh, swoosh. There is no "snow" there is whiteness, coldness. There are no "sounds" there is shoo, shoo, tweet, weeee! There is no "thinking" there is left, right, straight, watch out. In Shobogenzo, Hossho, Dogen gives us a delightful expression of this experience:

In the Dharma-nature there is no "non-Buddhist" or "demon," but only "Come for breakfast! Come for lunch! And come for tea!"
Shobogenzo, Hossho, Gudo Nishijima & Chodo Cross

The Genjokoan tells us:

To be actualized by the many things is to allow the body-and-mind of your self and the body-and-mind of other than your self to fall away.

This expression reveals the essence and function of the dynamic quality of awareness itself. When the body-and-mind of "our self" and the body-and-mind of "other than our self" both fall away, there is only, "Come for breakfast! Come for lunch! And come for tea!" All along our inherent awareness, that is, our buddha-nature or true-nature, has been functioning perfectly. Is this why people often laugh upon their initial enlightenment experience? There seem to be a number of wonderful gems about this in the Zen literature:

Q: What is implied by ‘seeing into the real Nature’?
A: That Nature and your perception of it are one. You cannot use it to see something over and above itself.
–Obaku
Bloefeld, John, The Zen Teaching of Huang-Po, 116

The nature of perception being eternal, we go on perceiving whether objects are present or not. Thereby we come to understand that, whereas objects naturally appear and disappear, the nature of perception does neither of those things; and, it is the same with all your other senses.
–Daibai

Bloefeld, John, The Zen Teaching of Instantaneous Awakening, 22

The Surangama Sutra, contains a passage that presents this point so directly that it is included as case ninety-four of the Blue Cliff Record:

The Surangama scripture says, "When I do not see, why do you not see my not seeing? If you see my not seeing, naturally that is not the characteristic of not seeing. If you do not see my not seeing, it is naturally not a thing–how could it not be you?"
The Blue Cliff Record

The Rinzai Zen master, Hakuin, comments on this koan in part:

Because it is not a thing, it must be your own awakened mind. The realm that is not a thing is your true vision; true vision is your essential nature. That’s the message.
Cleary, Thomas, Secrets of The Blue Cliff Record, 328

The Soto Zen master, Tenkei, comments in part on the same case:

The point is that of all the myriad things, none is not you. You are you; I am I. One can only know oneself. That’s what this means.
ibid., 328

Dogen’s words "To be actualized by the many things" are an original and marvelous expression of the same truth that Master Tenkei makes here as "of all the myriad things, none is not you."
Significantly, the Genjokoan goes on to explain:

All traces of enlightenment fall away, and the falling away of all traces of enlightenment is continuous.

Dogen is here expanding on a point he alluded to earlier (in Genjokoan) with the words "There are people who continue to realize enlightenment based on enlightenment." Realization of enlightenment is not a static event but a vigorous, dynamic condition of continuous manifestation. On the authentic Zen path of practice-enlightenment, each moment is experienced as the continuous unfolding of the entire universe, perpetually fresh and new. Engo calls this "continuous awareness from mind-moment to mind-moment":

When there is continuous awareness from mind-moment to mind-moment that does not leave anything out, and mundane reality and enlightened reality are not separate, then you will naturally become pure and fully ripe and meet the Source on all sides.
–Engo
Cleary, Thomas, Zen Letters, 45

Compare these words with Dogen’s own wonderful expression in Shobogenzo, Gyobutsu Yuigi:

[To research] this truth of moment-by-moment utter entrustment, we must research the mind. In the mountain-still state of such research, we discern and understand that ten thousand efforts are [each] the mind being evident, and the triple world is just that which is greatly removed from the mind. This discernment and understanding, while also of the myriad real dharmas, activate the homeland of the self. They make immediate and concrete the vigorous state of the human being in question.
Shobogenzo, Gyobutsu Yuigi, Gudo Nishijima & Chodo Cross

No thing, time, or event can escape the momentary nature of existence. Dogen points out in Shobogenzo, Uji (being time) that one quality of time is its ever-changing flow. He says:

The entire world is not unchangeable, is not immovable. It flows.
Shobogenzo, Uji, Tanahashi & Aitken, Moon in a Dewdrop: Writings of Zen Master Dogen

Dogen expresses the ever-changing, ever-renewing aspect of reality throughout his works in startlingly provocative and creative ways. For example, in his essay, Shobogenzo, Tsuki, Dogen says you should master in practice the fact that tonight’s moon is not yesterday’s moon:

So although the moon was there last night, tonight’s moon is not yesterday’s moon. We should master in practice that the moon tonight, at the beginning, middle, and end, is the moon tonight. Because the moon succeeds the moon, the moon exists and yet is not new or old.
Shobogenzo, Tsuki, Gudo Nishijima & Chodo Cross

At the same time, Dogen reveals that the very fact of its momentary existence demonstrates its inevitability, that is to say, its inevitable existence as an aspect of the whole of time and space (being time):

Each moment is all being, is the entire world. Reflect now whether any being or any world is left out of the present moment.
Shobogenzo, Uji, Tanahashi & Aitken, Moon in a Dewdrop: Writings of Zen Master Dogen

With the body-and-mind of self and other cast off (in nonthinking or forgetting the self) each moment is experienced as all being, "the entire world with nothing left out of the present moment." Each moment, each thing, including even such things as worry, and surprise contain and are contained by the whole of time and space. According to Dogen, "there are myriads of forms and myriads of grasses throughout the entire earth, and yet each grass and each form itself is the entire earth.

"Even worry itself is just the matter which is it, and so it is beyond worry. Again, we should not be surprised that the matter which is it is present in such a state. Even if it is the object of surprise and wonderment, it is still just it. And there is it about which we should not be surprised."
Shobogenzo, Inmo, Gudo Nishijima & Chodo Cross

Peace,
Ted Biringer
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Suzuki Roshi


green mountains
and blue sky,
ancient sequoias
stand like sentinels
along a meandering creek.
deep in the forest
moss and lichen
cover the trees,
a carpet of leaves
offered below my feet.
wild turkeys roam
in a small intimate group.
a family of deer
graze just up ahead.
down the trail,
to the right—
stands Suzuki Roshi’s stupa.
offer incense, then wait
just maybe an hour or so.
a long time ago Roshi said:
“we die and we do not die,
I think this the correct understanding.”
then I realize,
like a drop of water
he has returned to the river.
Roshi asks me quite softly,
“are you a drop of water,
or have you entered the stream?”
my answer is quite simple,
“how may I help you?”
because, of course;
this river runs through
each one of us—
in an unending flow.
written during a solo retreat at Sonoma Mountain Zen Center thanks to my friend Jakusho Kwong roshi
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Trungpa Rinpoche


being no–one,
going no–where,
a light rain
falls on my head.
mist envelops
the mountain tops.
the staff in my hand
steadies the trail down.
sitting with Trungpa
I chant the Great Dharani;
circumambulating the Stupa
rain splashes from it’s roof.
upon parting
transcending the three worlds,
vowing to become Buddha
and save all beings;
the mantra of shattering Hell:
om gar ra ji ja sa ba ha
om gar ra ji ja sa ba ha
om gar ra ji ja sa ba ha.
written during a solo retreat at Sonoma Mountain Zen Center thanks to my friend Jakusho Kwong roshi
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Amazing Invention


courtesy of you tube
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